This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Rare work from Weldon Irvine – a selection of tracks recorded as private studio outings, reissued briefly by Luv N Haight in the early 90s, and then only on vinyl! The style here is much more jazz-based than some of Irvine's soul recordings – a mode that's often all instrumental, and ... CD
Genius work from the Detroit underground of the 70s – one of the greatest records ever on the now-famous Tribe Records label, and a masterpiece of soul, jazz, and righteous spirit! The session's headed by tenor player Wendell Harrison – and it's got an all-star Motor City lineup that ... CD
A brilliant album from the overlooked reedman Rudolph Johnson – his second session for the Black Jazz label, and even better than the first! There's a soaring, searching quality to the record that Johnson never had before – a way of handling his tenor with a tone that Coltrane would ... CD
One of the true hit jazz albums of the 60s, and a record that's still pretty darn incredible today! Who'd have thought that a jazz recording of the theme to the film "Exodus" could have been such a hit? It was, and the way Eddie handled it forever transformed the face of jazz. Eddie ... CD
Gordon Grdina on oud, Christopher Kelly on saxophone, JP Carter on trumpet, Francois Houle on clarinet, Jesse Zubot and Josh Zubot on violin, Emad Armoush on vocals and ney, Marc Ribot on guitar, Tommy Babin on bass, Kenton Loewen on drums, Tim Gerwing on darbuka, and Liam Macdonald on riq. CD
Ben Webster takes on a whole hose of Duke Ellington tunes – but in a series of late life recordings that are definitely more Webster than Duke! The tenor is strong in the lead here, and Webster blows with that great later tone of his – a mode that's soaked in all the many years he ... CD
Herb Morand on trumpet, Buster Bailey and Odell Rand on clarinet, Horace Malcolm on piano, Charlie McCoy and Joe McCoy on guitar, Charlie McCoy on mandolin, John Lindsay on bass, and Fred Flynn on drums, and vocals from Herb Morand, Joe McCoy, and Rosetta Howard. CD