Weldon Irvine : Time Capsule (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Time Capsule

CD (Item 742727) Nodlew/P-Vine (Japan), 1973 — Condition: Used
Out Of Stock

CD

✈
One of the most beautiful records to come out of the early 70s – a tremendous indie effort from a young Weldon Irvine! Irvine put this album together as sort of a musical "time capsule" of his generation – an effort to capture the era's thoughts, feelings, and emotions through a mix of music, vocals, and a few spoken bits – all woven together in a way that changes moods nicely, but always keeps the same righteously spiritual vibe! Weldon plays keys that are both electric and acoustic throughout – and he's joined by a very hip batch of players who include Jimmy Owens, Lenny White, Alex Blake, George Cables, and others – all working here in a very rough-edged and soulful mode. Titles include the classic break track "Bananas", the sweet vocal number "Deja Vu",and the soul classic "Feelin' Mellow" – also covered by Fatback Band, but even better here in the original! Other tracks include "Soul Sisters", "Watergate Don't Bug Me", "Spontaneous Interaction", and "I Am".  © 1996-2025, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the CD. This might include, but isn't limited to, scratches, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Nodlew/Shout (Japan), Early 80s. Used
Rare work from Weldon Irvine – a selection of tracks recorded as private studio outings, reissued briefly by Luv N Haight in the early 90s, and then only on vinyl! The style here is much more jazz-based than some of Irvine's soul recordings – a mode that's often all instrumental, and ... CD
Black Jazz/P-Vine (Japan), 1973. Used
A brilliant album from the overlooked reedman Rudolph Johnson – his second session for the Black Jazz label, and even better than the first! There's a soaring, searching quality to the record that Johnson never had before – a way of handling his tenor with a tone that Coltrane would ... CD
Vee Jay/P-Vine (Japan), Mid 60s. Used
One of the true hit jazz albums of the 60s, and a record that's still pretty darn incredible today! Who'd have thought that a jazz recording of the theme to the film "Exodus" could have been such a hit? It was, and the way Eddie handled it forever transformed the face of jazz. Eddie ... CD

Lonnie Smith

Funk Reaction
Lester Radio Corporation/P-Vine (Japan), 1977. Used
A sweet 70s groover from the great Lonnie Smith – a soulful little session that has the keyboardist really stretching out in some great ways! At the time, Smith fares a lot better than some of his late 60s jazz organ contemporaries – as he's got a great lean style, perfect for the ... CD
Mainstream/P-Vine (Japan), 1964. Used
Wonderful work from guitarist Jimmy Raney – easily one of his standout sets of the 60s, and a record that features some great second guitar from Jim Hall! The pairing of guitars makes for a really unique sort of sound – one that's more languidly flowing than some of Raney's previous ... CD

Daniel Carter/Evan Strauss/5-Track/Sheridan Riley

Uproar In Bursts Of Sound & Silence
577, 2022. Used
Daniel Carter on reeds and vocals, 5-Track on guitar, Sheridan Riley on drums, and Evan Straus on reeds, bass, synthesizers, and electronics. CD

Combojazz

No Speed
Electromantic/Turin Jazz Rock School (Italy), 2005. Used
Aldo Rindone on piano and Fender Rhodes. CD

Christian Sands

Embracing Dawn
Mack Avenue, 2024. Used
Christian Sands on piano, Yasushi Nakamura on bass, and Ryan Sands on drums – plus special guests Warren Wolf on vibes, Marvin Sewell on guitar, Eli Weinberger on cello, and others. CD

Chick Corea

Mad Hatter
Polydor/Universal (Japan), 1977. Used
A goofy cover, and a tribute to Alice In Wonderland, but a nice little record – one that has Chick Corea playing a wide variety of keyboards next to acoustic piano – coming up with a sound that's sometimes cosmic, sometimes spacious, but always a lot more creative than most of his ... CD

Eric Dolphy

Out To Lunch
Blue Note (Japan), 1964. Used
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on ... CD

Otis Sandsjo

Y-Otis Tre
WeJazz (Finland), 2024. Used
A killer combination of sounds served up by a group led by a tenor saxophonist – but one who chooses to make music that's very different than the norm! Otis Sandsjo has a way of phrasing that's very fresh, and almost electronic at times – which blends in perfectly with the chunky ... CD

David Matthews & Electric Birds

Cosmic City
Electric Bird/King (Japan), 1980. Used
David Matthews made plenty of great funky jazz records in the American mainstream of the 70s – and after his big years on Kudu Records, he went slightly underground – and did some great work for Japanese labels like this! The album's got Matthews on electric piano, working with an all-s ... CD
 



⇑ Top