This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A dream of a record from Marvin Parks – a hell of a jazz singer, and one that we'd place in an elite legacy that runs from Oscar Brown up through Jose James! The work here is wonderful – as Nicola Conte produced the record, and gives it the same sort of jazzy sparkle as his own sublime ... CD
Ruth Olay's billed on the cover as a "singing discovery of the Jack Paar Show" – and she's got a vocal approach that must have been dynamite on TV! At times, her tones are quite low – almost the dusky style of Dinah Shore – but she's also got a pretty dynamic quality ... CD
Carmen McRae gets some very groovy backing here from British maestro Johnny Keating – who helps her find a whole new sound through his wonderful arrangements on the set! The overall sound is relatively mellow, but still pretty great – all adult, and filled with unusual instrumental ... CD
Some of Anita O'Day's earliest work for Verve Records – an album that features a number of different groups, all of them great! One features Ralph Burns on piano and arrangements, leading a septet that includes Bill Harris, Cecil Payne, and Roy Eldridge – on the tracks "Rock N ... CD
A striking session for Anita O'Day – and a refreshing change from her work of the 50s! This one has Anita singing with arrangements by Gary McFarland, a mix of easy jazz styles that show a more sophisticated side to her voice – a bit more careful than before, with more hidden in the ... CD
Kind of a forgotten piece of the left coast puzzle, and though we didn't get open on every cut here, we never get tired of the mid 90s classic "Back In The Day", which is featured here in the original and remixed versions. Also includes "Touch The Ceiling", "The Jones" ... CD
Foundation is right, in more than one sense of the word! The Brentford Avenue stalwarts are showcased here on a nice double album compilation of classic and groundbreaking early ska and rocksteady tracks that would become the template for so much Jamaican music to follow. The team of Coxsone Dodd ... CD