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(Black label stereo pressing, with deep groove. Cover has a few spots of clear tape on the opening.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title makes this one sound like a batch of bachelor pad tunes, but the album itself is easily one of Pete Rugolo's best of the 50s – a really tremendous big band outing that's filled with all-star players – all in a groove that breaks Pete very firmly past his Kenton heritage! The ... LP, Vinyl record album
One of Jimmy's last albums for a major label in the 70s – a real back-to-basics set that was recorded live at the Jimmy Smith Supper Club in LA – the "home of fried cornbread and live jazz", and a venue that we certainly wish we could have visited! Jimmy's working here with ... LP, Vinyl record album
A really unusual performance for this Japanese-only album – one in which Philly Joe Jones is joined by two other drummers, Al Foster and Billy Hart – in a lineup that also includes Atlee Chapman on trombone, Charles Bowen on tenor and soprano, Brian Smith on bass, and Walter Davis Jr on ... LP, Vinyl record album
One of Billy Taylor's greatest albums – far more than his usual easy-handed soul jazz, and much more of a modernist-informed outing, with one of the hippest groups to ever back Taylor on record! The rhythm's by Bob Cranshaw and Walter Perkins of the MJT+3 – and the group's augmented by ... LP, Vinyl record album
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's ... LP, Vinyl record album
One of Roland Kirk's classic early recordings for Mercury, and the kind of stuff that has him mixing his wild reed playing with more traditional hardbop structures. Most of the tracks are quartet sides, with piano, bass, and drums backing Kirk up – but the real focus is on Kirks solos, which ... LP, Vinyl record album
A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album