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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tenor sax hero Ben Webster recorded live at Copenhagen's Jazzhus Montmarte on January 3, 1965 – leading a quartet with Niels-Henning Orsted Pedersen on bass, Alexi Riel on drums and the great Kenny Drew on piano. Titles include "Perdido", "That's All", "Gone With The ... LP, Vinyl record album
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and ... LP, Vinyl record album
Great US issue of 2 different albums that Webster recorded in Europe near the end of his life – Blow Ben Blow and For The Guv'nor. The albums were both recorded in 1969, and both with that kind of open-ended European "focus on the master soloist" approach that was gaining favor at ... LP, Vinyl record album
Excellent late 70s issue of a date from a few years earlier, of Ben playing with a pickup European rhythm section. The intimate setting and responsive younger players cast Webster's warm tenor in a great light, and his playing at this point was continuing to develop, with a nice burnished ... LP, Vinyl record album
A rare European gem from Johnny Griffin – recorded in quartet formation with backing from the rhythm trio of the Clarke Boland Big Band! Johnny was working with the trio in the bigger group at the time, but he gets plenty of space to state his case here – stretching out on hard-bitten, ... LP, Vinyl record album
Incredible material from Max's "plus 4" group that included Ray Draper, George Coleman, Booker Little, and Art Davis! The band at the time was forging a haunting mix of hardbop and lyrical modernism, and was driven by Max's progressive vision and rich talent for selecting just the right ... LP, Vinyl record album
First volume pulled together in the early 80s of Brownie's remarkable work with a smoking quintet that would record some of the finest bop sides issued on the Emarcy label. He's working here with Max Roach, George Morrow and Richie Powell and Harold Land as Brown's foil in the front line. 14 ... LP, Vinyl record album
An early leader session for Jimmy Cleveland – one that pulls him out of the Lionel Hampton group, and puts him in the company of a number of different all-stars – top level players that Mercury brought together in three different sessions for the album. Players include Lucky Thompson, ... LP, Vinyl record album