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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Early Fat Boys track produced by Kurtis Blow, with a sound similar to his own records from that time and additional music by Davy DMX. One of the better Fat Boys singles, before they became parodies of themselves. This one is the tale of the Fat Boys going to jail for breaking in to a pizza parlor ... 12-inch, Vinyl record
6 tracks from the Above The Rim soundtracks. The standout track here is Lady of Rage's amazing "Afro Puffs", her best track by far that was somehow left off her LP. Also includes "Regulate" from Warren G, plus tracks from OFTB, Paradise, 2nd II None, and CPO-Boss Hog. 12-inch, Vinyl record
The record everyone's used for the "I Want Action" sample. One of the first records produced by Russell Simmons, with beats by Orange Krush, who did most of the beats for the early Run-DMC records. This is the original pressing of the record later released by Mercury. 12-inch, Vinyl record
To us, there's still no one better than Chino at delivering incredibly funny, and sometimes incredibly viscious, extended punchlines. And there's enough to offend just about everyone, plus some nice social commentary thrown in on this one from the "Here To Save You All" LP. 12-inch, Vinyl record
One of our favorite grooves from the classic years of Sugar Hill Records – a killer cut based around Cheryl Lynn's "To Be Real" – with the original groove slamming nicely on the bottom, as Funky 4 Plus 1 trade lines over the top! The track's filled with classic rhymes from ... 12-inch, Vinyl record