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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker ... LP, Vinyl record album
A killer from Clark Terry – tight small combo grooving, set to some very hip arrangements by a young Pat Williams! The music's all from the score to What Makes Sammy Run, but Terry and crew really transform the tunes into something else entirely – a really sparkling, swinging batch of ... LP, Vinyl record album
A surprisingly nice little set from Clark Terry – featuring arrangements by Oliver Nelson, and a pretty nice little group that includes Budd Johnson on tenor and Eddie Costa on vibes and piano. The material appears to be lifted from the musical All American – by the team of Charles ... LP, Vinyl record album
An amazing collaboration between Gary McFarland and Gabor Szabo – easily one of the grooviest albums either artist recorded in the 60s! The set's heavy on McFarland's great style of arranging – that cool blend of bossa, jazz, and other elements that surfaced strongly on his 60s Verve ... LP, Vinyl record album
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one. It's designated by the fact that the recording doesn't say "Version II" on the runoff groove. One of the freest, most exploratory albums ever recorded by ... LP, Vinyl record album
Most of the tracks on this 2 LP set are not from Jones' solo records but rather songs under the direction of others, mainly John Coltrane but also Frank Foster and Sonny Rollins. Some of the Coltrane titles are the drum solo from "Pursuance", "Impressions", "Your Lady" ... LP, Vinyl record album
Wonderful post-Paris work from Archie Shepp – a record that has him bringing more focus back into his work after sessions overseas – and also making some great use of the legendary Joe Lee Wilson on vocals! There's a feeling here that's a real change for Shepp, but a great one too ... LP, Vinyl record album
Although "Newport" can often mean "hokey" or "pandering" in the context of live jazz performances – this set is a cooker, one of Tyner's best for Impulse, and a really far-reaching set that has him showing sides he never expressed with Coltrane! The group on the ... LP, Vinyl record album
A perennial favorite in the John Coltrane catalog – a beautiful set of standards, handled in a warm laidback style – one that shows that Trane's groundbreaking group with Jimmy Garrison on bass, Elvin Jones on drums, and McCoy Tyner on piano could still express themselves with even more ... LP, Vinyl record album
Excellent grooviness – and typical of the mad instrumental LPs that showed up on Impulse when they weren't cutting high-minded jazz! The record has a nice mix of easy funky jazz and pop psychedelia – performed by a range of groovy players conducted by Bob Thiele, and featuring Tom ... LP, Vinyl record album
Modal Coltrane at its finest – a record that almost returns the great one to the territory explored at the end of his years at Atlantic Records, but which still incorporates all of the new ideas learned afterwards! The album's actually one of the straightest that John Coltrane cut after 1964 ... LP, Vinyl record album
Sweet electric funk from Blue – recorded in a warm, largely arranged style that's reminiscent of the best Freddie Hubbard fusion work from the 70s – but which has an even tighter sound overall! The groove is great – kind of a Kudu Records vibe, and Blue's actually quite good in ... LP, Vinyl record album