Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

French Disco Boogie Sounds – 1975 to 1984 – Selected By Charles Maurice

LP (Item 735988) Favorite (France), Late 70s/Early 80s — Condition: New Copy
2LP Gatefold

That's a mighty sexy cover on the front – and the grooves inside definitely have the flavor to match! The work here is from the obscure French disco underground – a European scene that never got the same exposure as German or Italian work for clubs – which makes the whole package a really great discovery in sound! The music is surprisingly fresh, and often quite funky too – and done in modes that are arguably warmer and more soulful than most other European disco – and often a lot like the best American underground club of the period. Some tracks have breathy female vocals, while others have bolder lyrics that almost echo some of the global musical crossovers happing in 70s Paris and a few of the later tracks bring in electro elements, but in a subtle way we totally love. The collection's a follow-up to the Brazilian Disco Boogie Sounds compilation – and like that one, it's really a cut above the usual! Titles include "Super Star" by Contessa, "Lady Jones" by Over Drive, "Music Madness (ext Charles Maurice version)" by Beckie Bell, "Y'A Du Blues" by Marche Noire, "Un Fait Divers & Rien De Plus (re-remix)" by Le Club, "Pour Moi Ca Va (Charles Maurice version)" by France Lise, "Polar (Charles Maurice version)" by Bernard Guyvan, and "Minuit L'Heure Du Swing" by Didier Makaga.  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Favorite (France), Late 70s/Early 80s. New Copy 2LP Gatefold
That's a suave-looking dude on the cover, and there's some suave-sounding sounds within – the cream of the crop of the hippest spectrum of the French club scene at the start of the 80s, brought together in a beautiful package of grooves! The work here is quite different than some of the ... LP, Vinyl record album
Mainstream/We Want Sounds (UK), Early 70s. New Copy 2LP
A wicked dip into the catalog of 70s powerhouse Mainstream Records – a set that brings together the funkiest tracks from the label – not just from their electric jazz albums, but also their more obscure funky 45s from the same time too! The package is a strong blend of jazz, funk, and ... LP, Vinyl record album
Z Records (UK), Late 70s/Early 80s. New Copy 2LP Gatefold
A great entry in this really fantastic series – one that's turned us on to more rare club cuts than we can count over the years – and which still stands head and shoulders above most other collections of vintage dancefloor grooves! The tracks here are all hand-picked by Winston – ... LP, Vinyl record album
Mona Musique (France), Early 90s. New Copy 2LP Gatefold
Funky house from the Italian scene of the early 90s – a real hotbed of musical energy, thanks to a thriving club scene that kept on going well past the big disco years in the US! In fact, at some level disco never really died in Italy – and kept on transforming during the 80s – ... LP, Vinyl record album

Various

Hong Kong Score
Wan Chai (Hong Kong), Late 60s/1970s. New Copy Gatefold
Very cool grooves from the world of Hong Kong cinema – not just familiar styles from kung fu movies, but a nice range of different modes too! The music is often funky, but not always – and some tracks have vocals, while others are completely instrumental – brought forth here in a ... LP, Vinyl record album
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold
The sound of spiritual jazz from the European underground of the 60s and 70s – a really rich music-making scene that's every bit as impressive as the one going on in the US – as you'll hear from this amazing set of tracks! As with the first volume in the series, the collection is ... LP, Vinyl record album
Because (France), Early 70s. New Copy 2LP
The second volume in this great series of classic 70s soul tracks – most of them with a deep underground sound, and nice little riffs and beats that have been sampled by hip hoppers over the years. Tracks are from a range of sources – and although some of the artists cut big singles in ... LP, Vinyl record album
Timmion/Daptone, 2019. New Copy
Fantastic soul tracks from a label we've been loving right from the start – the long-running Timmion Records – a Finnish imprint with an amazing ear for vintage sounds and funky grooves! We know what you're thinking – Finland is a very unlikely source for great soul music – ... LP, Vinyl record album
Tramp (Germany), Late 70s/Early 80s. New Copy 2LP
A killer collection of upbeat soul and dancefloor grooves – and one that goes way way deeper than even the hippest collections of disco rarities! The Tramp label has given us plenty of great funk collections over the years – and with this set, they turn their well-trained ear towards ... LP, Vinyl record album

Various

We Out Here
Brownswood (UK), 2018. New Copy 2LP Gatefold
London is exploding again with fantastic music – and this time around, it's the city's jazz underground that comes forward to remind us what a unique musical crossroads the city can be! The work here represents an incredible new scene that's pushing boundaries all over again – not the ... LP, Vinyl record album
BBE (UK), Late 60s/1970s/Early 80s. New Copy 3LP Gatefold
An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike ... LP, Vinyl record album
BBE (UK), 1970s. New Copy 3LP Gatefold
An excellent collection of rare jazz grooves – the special kind of tracks that effortlessly mix up influences and styles, with a result that makes each and every number a real standout in the set! This is the third volume in the series, and the mix of music is wonderful – tunes from ... LP, Vinyl record album
 



⇑ Top