This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
Four long tunes – "I Got Rhythm", "JATP Blues", "I Surrender Dear", and "Slow Drag" – played by a group that includes Charlie Parker, Coleman Hawkins, Irving Ashby, Willie Smith, and Lester Young. Classic work in the early Norman Granz mode ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "Love For Sale", "Wrap Your Troubles In Dreams", "Louise", "Come Rain Or Come Shine", ... LP, Vinyl record album
The moods of Bud Powell are some plenty darn ones – corners of sound that few other players had explored at this point in time – served up here especially well in the album's gentler numbers, which almost seem like evil doppelgangers to some of the more rote cocktail piano of the 50s! ... LP, Vinyl record album
Stunning early work from Stan Getz – the kind of simple but breathtaking sides that he cut before any of his later fame – in a mode that made him one of the most inventive talents on the tenor sax! Stan's caught here right past the first flurry of initial time in the studio – ... LP, Vinyl record album
Sharp-edged tenor genius from Flip Phillips – and a great illustration of why he was one of the key early stars in Norman Granz' Verve empire! The tracks here are short but hard jamming – with equal contributions from players who include Charlie Shavers on trumpet, Oscar Peterson on ... LP, Vinyl record album
Shaw's on clarinet (natch!), and the rest of the group includes Hank Jones on piano, Joe Puma on guitar, Tommy Potter on bass, and Irv Kluger on drums. The whole thing's packaged in a lovely David Stone Martin abstract cover – and titles include "Yesterdays", "Supposin", ... LP, Vinyl record album
One of Hamp's cool little open-ended sessions for Verve – done in a style that's much more jam-session oriented than some of his other work from earlier (or later) years! The album features Hamp playing vibes with a small combo that includes Buddy De Franco, Herb Ellis, Buddy Rich, Oscar ... LP, Vinyl record album
Features Ella Fitzgerald and Joe Williams on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles ... LP, Vinyl record album
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but ... LP, Vinyl record album
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album