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Black Talk!

LP (Item 7343) Prestige, 1970 — Condition: Good+
$2.99 ...

LP, Vinyl record album

(€2.65 || £2.25 || ¥299) (approx.)

A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his unique sound on the organ. But with this record, Earland really broke out wide – and hit a huge audience that made him one of the most in-demand players of the early 70s! The Earland touch is summed up perfectly here – a really fluid approach to the keys that shakes loose the clunkier styles of older Hammond players, and goes for a tightened-up groove that puts equal emphasis on rhythm and melodic improvisation – in a way that's always made Charles' records some of the best jazz dancers to come out of Prestige. Earland has an amazing way of completely transforming a tune – taking a familiar melody, but riffing on it extensively – slowly expanding it through almost modal progressions – until the tune opens up into a long extended jazzy groove! Proof of this is the album's sublime 11 minute version of "More Today Than Yesterday" – a solid stepper that never gets old – and other tunes include "Black Talk", "The Mighty Burner", "Here Comes Charlie", and "Aquarius". Oh, and players include Virgil Jones, Houston Person, Melvin Sparks, and Idris Muhammed – an all-star lineup, but tightly guided by Charles as if they were his own working group! (Purple label pressing. Cover has clear tape along the spine & seams.)  © 1996-2016, Dusty Groove, Inc.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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