This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The "pair" here is Phil Woods and Gene Quill – both blowing beautifully on alto sax, with that sharp edge and deep tone that made both players a real standout in the 50s scene! The Woods/Quill mix has been documented elsewhere, but the sound here is rawer than some of those other ... LP, Vinyl record album
Early work by one of the greatest voices on the alto sax in the 1950s – a player who worked with the deftness of other altoists of his generation, but a depth of soul usually reserved for the tenor! The setting is simple and perfect – as Phil Woods blows at the helm of a quartet that ... LP, Vinyl record album
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... LP, Vinyl record album
Looooong tracks from Don Patterson – an album of four stretched-out groovers, recorded with some great players that include Booker Ervin, Grant Green (listed as "Blue Grant" on the label), Houston Person, Virgil Jones, and Sonny Stitt. The tracks appear to be from different ... LP, Vinyl record album
A nice set of mellow tracks from Art's late 70's comeback period, featuring George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums. This is some of Art's best work of the time, and it's mostly free of the "fire" that marred some of his other sessions from the time. ... LP, Vinyl record album
80s release of some rare sessions cut at Tristano's private Manhattan studio in the mid 50s, featuring spare trio tracks with Peter Ind on bass and Tom Weyburn on drums. The album is an essential chapter in Tristano's under-recorded career, and the tracks are a delight all the way through. Titles ... LP, Vinyl record album