Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art

Dwitza

CD (Item 732090) Universal, 2002 
Out Of Stock

CD

...

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Ed Motta

Aystelum
Ether (UK), 2005. Used
A bold move forward for Ed Motta – an artist who's already been making plenty of bold moves in the past few years! Aystelum further expands on the musical journey begun by Ed on Dwitza and Poptical – but it really pushes the envelope even more, and brings a lot more cosmic jazz and ... CD
Universal (Brazil), 2000. Used
An amazing album from one of Brazil's greatest soul stars! Ed Motta's the nephew of Tim Maia, and he's part of a huge legacy of Brazilian soul music that's been largely untapped by listeners in the US. Fortunately, Ed's been getting his dues in other scene's lately – as his album before ... CD

Amy Winehouse

Back To Black
Universal, 2006. Used
An incredible album from Amy Winehouse – even way better than her fantastic debut! Although a contemporary soul album, this one's steeped in tradition – soul styles that run the gamut from Detroit down to Kingston, and which are carried off here with a rougher, sharper-edged sound than ... CD

Erykah Badu

Baduizm
Universal, 1997. Used
A landmark debut from the mighty Erykah Badu – a record that really set the world on fire when it first appeared – and which continues to blow our minds all these many years later! There's a simple, straightforward grace to the album that comes through immediately – as Erykah ... CD

Erykah Badu

Live
Universal, 1997. Used
A surprising second album from Erykah Badu – a live recording, coming right on the heels of her first studio set – and showing that the girl's equally great without any added production work! The feel is warm, earth, and wonderful – intimate, and richly spiritual – as ... CD
Sonar Kollektiv (Germany), 2005. Used
The second album from Benny Sings – quickly emerging as one of the best pop crooners of the 21st Century! The set's even greater that Benny's debut – recorded live in Amsterdam, with a full group arranged into tight formation – and a sound that's steeped in 70s crossover pop ... CD

Esperanza Spalding

Chamber Music Society
Telarc, 2010. Used
A timeless mix of heart tuggingly intimate strings and beautiful vocals by Esperanza Spalding – a set that feels deep down close to the heart, and in turns, quite soaring – all the while wonderful! The aspects we loved so dearly on Esperanza's previous albums are also done here – ... CD

Anthony Hamilton

What I'm Feelin
RCA, 2016. Used
Heavy sounds from Anthony Hamilton – a record that's still got all the warm flourish we love from his other work, but which also seems to have a bit more of a bass on the bottom! The production is by Mark Batson on most tracks – and the team of Salaam Remi and James Poyser on a few ... CD
Phonogram/Fontana (UK), 1989. Used
Standout early work from Swing Out Sister – the group's second album, and one of their best from the time! The team of Andrew Connell and Corinne Drewery had well proven their ability to craft a jazz-tinged tune on the first album – and on this set, they take off in a style that's a ... CD

Braxton Cook

Somewhere In Between
Fresh Selects, 2017. Used
Braxton Cook is a singer, but he's often one who speaks first with his alto sax – which he blows in this wonderfully sharp way – often with cascading notes that set this beautiful mood for his tunes! The music is mostly electric – filled with Fender Rhodes, bass, and guitar ... CD

Alicia Keys

Diary Of Alica Keys
J Records, 2003. Used
Don't write Alicia Keys off simply because she's a pop princess! This second album might sit at the top of the charts for six months, or it may falter quickly and be seen a "sophmore slump" – but whether you see clips on Access Hollywood or not, this Diary is pretty nice to our ... CD

James Hunter

People Gonna Talk
Go/Rounder, 2006. Used
... CD
 



⇑ Top