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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly great set from The Four Tops – hardly the throwaway effort you might expect from some of the other Casablanca projects of the time – and instead a really solid effort that follows strongly from the sound of the group's best moments during their ABC Records years! The ... LP, Vinyl record album
A classic 60s album by the Four Tops – really one of their better efforts of the period – a record that finds the group working some soulful magic on a couple of their best known tunes, as well as adding a dose of deeper emotion to some hit songs of the time! Like other Motown success ... LP, Vinyl record album
Despite the fame of their big hits – like "Reach Out I'll Be There", "I Can't Help Myself", "Baby I Need Your Loving", and "It's The Same Old Song", all of which are on this set, and which have been heard ad infinitum – the Four Tops are actually ... LP, Vinyl record album
A mix of pop and soul – but in the hands of the Four Tops, just about any song takes on a new soulful life! The record features their minor hit "Yesterday's Dreams" – plus groovy versions of "Sunny", "Never My Love", "Daydream Believer", and ... LP, Vinyl record album
A very hip album from the Four Tops – cut with kind of a political/social edge, and a heavy vibe that was similar to what the Temptations had been using on some of their important albums for Motown at the end of the 60s. In fact, this one's got so much of that righteous Temps vibe that we ... LP, Vinyl record album
A lot greater than you'd expect – like most of The Four Tops' excellent work on ABC. The classic Motown sound is no longer, but in its place is the same sort of positive 70s soul grooving that Lamont Dozier picked up on the label – a style that makes a perfect platform for the vocals ... LP, Vinyl record album
One of the hardest, rawest Four Tops album on 60s Motown – a unique live session, recorded at the Roostertail Nightclub in Detroit – with a sound that shows that the Tops could maybe shine even more away from the studio! Levi Stubbs' leads are especially incredible – not just a ... LP, Vinyl record album
Smooth mellow grooves, in the style that Eddie pioneered, and which he still did better than most. The album's a great batch of tracks with production by Leonard Caston, who also produced some of Eddie's earlier works, and the set's pretty darn great all the way through. With the cuts "Someth ... LP, Vinyl record album
Killer 3LP set that brings together just about every single track you'd ever want from Marvin's early years at Motown! The gamut runs from early pop singles to the politically progressive work of his What's Going On years. Titles include "You're The Man", "Trouble Man", "I ... LP, Vinyl record album