This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One in a series of double LP compilations Chess put out in the 70s collecting some of the classic blues sides in their catalog. As near as we can tell, these raw folk blues numbers were mostly issued as 45s, featuring Sonny Boy on vocals and harp, with sidemen that include Muddy Waters, Robert Jr ... LP, Vinyl record album
A really great collection of Chess Records work by JB Lenoir – one of the more unusual singers on the Chicago scene at the time – and one with a sound that's pretty darn great all the way through! Lenoir's tone is a pitch or two up from most of his contemporaries – not as gritty ... LP, Vinyl record album
A comprehensive look at some great recordings from Little Walter – sides recorded for Chess Records from 1953 to 1963 – offering up a decade's worth of evolution in his style! But even at the start, Walter was better than most of his generation – a heck of a great harmonica ... LP, Vinyl record album
Raw, ragged, rough, and ready – killer early work by Bo Diddley, clearly in a class by itself! The Bo Diddley groove isn't blues, isn't soul, and isn't R&B – it's instead a mad blend of rhythm, scratchy guitar, and spontaneously playful vocals that few other singers could ever hope ... LP, Vinyl record album
Raw early instrumentals by Albert Collins – work that's coming from a blues camp, to be sure, but which also has a good deal of soul and funk touches as well! Albert's raspy guitar takes center stage on the record – but the arrangements are actually all pretty tight and soul-based too, ... LP, Vinyl record album
Rare singles on the Profile, Chief, and USA label – all recorded in Chicago! Titles include "Messin With The Kid", "So Tired", "Universal Rock", "Prison Bars All Around Me", "When The Cat's Gone The Mice Play", and "I Could Cry". LP, Vinyl record album
Rare work from the early 50s Chicago scene – mostly rare JOB singles, plus unissued tracks – with JB Lenoir on vocal and guitar – plus some piano from Sunnyland Slim and drums from Alfred Wallace! LP, Vinyl record album
A mad bit of music from the great Bo Diddley – recorded after his early 70s funk records on Chess – but with a similar genre-tripping style! The album's got this full-on fuzzy feel right from the start – put together by producer Ron Terry, who matches Diddley's wilder side with ... LP, Vinyl record album
Rare Chicago material, issued here on this small Delmark label imprint– one side with Morris Pejoe on vocals and guitar in a small combo with tenor and alto – the second with both Arthur Big Boy Spires and Willie Big Eyes Smith on vocals – in a combo with Edward El on guitar and ... LP, Vinyl record album
The great Freddie King opens up vocally, alongside his searing guitar work – on titles that include "Lonesome Whistle Blues", "You've Got To Love Her With A Feeling", "Have You Ever Loved A Woman", "I Love The Woman", "I'm Tore Down", and ... LP, Vinyl record album