Brilliant work from Cedar Walton – a wonderful bit of soulful fusion from the crucially overlooked late 70s years of Columbia Jazz. The album's got a blend of soul and jazz that's similar to work at the time by Bobby Hutcherson or Freddie Hubbard – occasional vocals, larger lusher production, and a style that was really well suited to bringing together the best of fusion and soul, without resorting to tricks or gimmicks. The album's filled with really wonderful cuts that are completely unlike most of Walton's other work – and which show him to be an amazing talent in the soul end of the spectrum, not just in the soul jazz one that we're used to. Tunes are wonderful, arrangements are brilliant – and the album manages to be smooth without losing any depth. Titles include the great groover "Latin America", plus "Warm To The Touch", "NPS", "Sixth Avenue", and "Naturally". (Includes the printed inner sleeve.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.