This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Gerry Mulligan brings the piano back in nicely here – but in a way that still hangs onto all the best modern tones of his earlier Pacific Jazz sessions! The date's a live one – done at Storyville in Boston – but the sound is wonderfully intimate, with Gerry on baritone sax and ... CD
Gerry Mulligan brings the piano back in nicely here – but in a way that still hangs onto all the best modern tones of his earlier Pacific Jazz sessions! The date's a live one – done at Storyville in Boston – but the sound is wonderfully intimate, with Gerry on baritone sax and ... CD
Featuring Johnny Hodges, Ben Webster, Bob Brookmeyer, Art Farmer, Jimmy Rowles, Claude Williamson, Bill Crow, Leroy Vinnegar, Buddy Clark, Mel Lewis, and Dave Bailey. CD
A pretty great little album – and very different than Gerry Mulligan's regular sides from the time! The session was originally produced as part of the sessions for the short-lived Jazztime label in the early 60s – and was produced by Dave Bailey with a soulful undercurrent that's quite ... CD
A pretty great little album – and very different than Gerry Mulligan's regular sides from the time! The session was originally produced as part of the sessions for the short-lived Jazztime label in the early 60s – and was produced by Dave Bailey with a soulful undercurrent that's quite ... CD
Mulligan plays with his orchestra, with featured soloists including Keith O'Quinn on trombone, Mitchel Forman on piano, Mike Bocchicchio on bass, Barry Ries and Tom Harrell on trumpet, Gerry Niewood and Ken Hitchcock on alto, and Gary Keller on tenor. CD
Featuring Mulligan on baritone sax, Bob Brookmeyer on trombone, Red Mitchell on bass, and Frank Isola on drums. Tracks include "Bernie's Tune", "Nearness Of You", "My Funny Valentine", "Gold Rush", "Soft Shoe", and "Walkin Shoes". CD
Featuring Mulligan on baritone sax, Bob Brookmeyer on trombone, Red Mitchell on bass, and Frank Isola on drums. Tracks include "Bernie's Tune", "Nearness Of You", "My Funny Valentine", "Gold Rush", "Soft Shoe", and "Walkin Shoes". CD
An unlikely pairing – but that's what makes the record so great! Mulligan and Hodges come together in this rare Verve set from the late 50s – an inspired combination of talents that really work some magic together. Hodges' tone is in the lead in our ears, always wonderful, especially ... CD
Recorded live in Stuttgart, Germany on March 6th, 1967. Tracks include "Chromatic Love Affair", "Eggo", "Knob Hill", "Take The 'A' Train", "Reue Bleue", and "Tutti For Cootie". CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD