This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A very well-titled album – as it definitely features Zoot Sims and Al Cohn stretching out – pushing their groove a bit more than on some of their tightly-composed mid 50s sessions for RCA! The lineup is still slightly large – an octet that features Zoot and Al on tenor, plus the ... CD
An excellent live set from James Moody – one that really captures all the creative soulfulness that was part of his genius during the 60s! The set was recorded at the Jazz Workshop in LA, and features a hip group that includes Bernard McKinney on trombone, Musa Kaleem on baritone, Howard ... CD
Excellent live work by Ahmad Jamal – recorded during his classic years, when he was wowing audiences all over the US! The set features 2 CDs, with material recorded at the Pershing Lounge and Alhambra in Chicago, The Spotlite Club in Washington DC, and the Black Hawk in San Francisco. On ... CD
A very hip little session from a young Jan Hammer – recording here with a great lesser-known German saxophonist! The session's a live date from the late 60s – recorded at the legendary Domicile nightclub in Germany, in a rolling wave of soul jazz and hardbop modes – plus a few ... CD
On Golden Hair Gil Evans on piano and electric piano, Laurent Cugny on keyboards, Philippe Sellam on alto saxophone, Pierre-Olivier Govin on alto saxophone and flute, Denis Barbier on flute, alto flute and piccolo flute, Bernard Francois on French horn, Bobby Rangell on alto and soprano saxophone ... CD
Despite the fact that the title's "Introducing Roland Kirk", it's not actually Kirk's first album – but it is a heck of a smoker with a very unusual sound! The session features Roland with a Chicago group that includes Ira Sullivan on trumpet, Don Garrett on bass, and Ron Burton on ... CD
With a name like Chubby, the set ought to be a snoozer – but it swings nicely, thanks to some strong bass work by Jackson! The group's a Chicago ensemble, featuring lesser-known players of the 50s – like Vito Price, Cy Touff, Don Lamond, and Jimmy Gourley – plus trombone by Bill ... CD
Groundbreaking work from pianist Jacques Loussier – a hip mix of jazz music and classical themes that set a whole new standard for the 60s! Loussier's a very dynamic pianist who's clearly got classical roots – but he also manages to make these older tunes swing with a good degree of ... CD
Features Lester Young on tenor and Jimmy Rushing on vocals. Tracks include "Exactly Like You", "Glory Of Love", "Pennies From Heaven", "Listen My Children And You Shall Hear", and "Time Out". CD
Dizzy Gillespie plays here with the great Don Byas on tenor sax – joining Diz on two different Parisian dates from early 1952, both of them pretty darn sweet! The first session here is quite unusual – in that it features Humberto Cano on congas – bringing in a bit of a Cubop ... CD
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head ... CD