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Fire On Ice

LP (Item 7221) Elektra, 1978 — Condition: Near Mint-

One of the great albums from Terry Callier's "second chapter" on record – a time when he was working for Elektra Records, and doing work that was a bit straighter soul than before – and also slightly jazzy as well! The record's kind of a mix of jazzy grooves and smoother soul – typical for the fusion division of Elektra at the time, where Callier's hard-to-peg work was relegated. There's some really great songs on the record – and although the arrangements sometimes lack the sensitivity of the Cadet scorings of earlier years, they're still pretty great from a modern soul perspective. Richard Evans is producing and arranging the session, and Terry's still got help from a lot of Chicago friends like Minnie Riperton, Eddie Harris, and Phil Upchurch – all of whom help to keep the album relatively strong. Titles include some really nice originals, like "African Violet" and "Butterfly", both of which are some of Terry's best compositions from the time – plus "Love Two Love", "Martin St Martin", "Street Fever", and "Be A Believer".  © 1996-2019, Dusty Groove, Inc.
(Includes the printed inner sleeve. Cover has a cutout notch.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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