This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A beautiful little record that's as evocative as its title – a lesser-known gem from the mid 70s years of Graham Collier! Collier's really hitting a high point here – stretching out with a much more expansive sound than on his earliest albums – not in a larger-concept or more ... CD
A very well rendered tribute to Steve Lacy from a group that formed specifically to perform some of most left of center compositions of the great jazz sax player and composer! The shortest pieces here run north of 6 minutes and the longest is closer to 12, nice and roomy with plenty of space to ... CD
Michael Gibbs conducting with Fiete Felsch and Peter Bolte on alto and soprano saxophone and flute, Thomas Gramatzki on baritone saxophone and bass clarinet, Lutz Buchner on tenor and alto saxophone and clarinet, Christof Lauer on tenor and soprano saxophone, Dan Gottshall, Klaus Heidenreich, and ... CD
A previously unissued performance by the Brotherhood Of Breath – recorded at a time when the group was at the height of their early powers! Some of the styles here are in the straighter, South African-inspired jazz of pianist Chris McGregor's roots – but other tracks get far more ... CD
Two amazing albums from the team of Lol Coxhill and Steve Miller – augmented here by a fair bit of previously unreleased bonus work! Both records were issued during the early years of Virgin Records in the 70s – and are of a similar spirit to some of Robert Wyatt's more experimental ... CD
Zoot Sims on tewnor saxophone, Gerry Wiggins and Henri Renaud on piano, Pierre Michelot and Don Bagley on bass, Kenny Clarke and Jean-Louis Viale on drums, Fdrank Rosolino on trombone, and Jimmy Gourley on guitar. CD
One of Stanley Turrentine's few organ-based sessions for Blue Note – recorded in the company of his wife Shirley Scott, a real cooker on the Hammond who holds it down masterfully here – and great band that's filled out by Kenny Burrell on guitar, Bob Cranshaw on bass and Otis Finch on ... CD
An early session as a leader from trumpeter Blue Mitchell – recorded during his glory years with Horace Silver! Unlike his other records, which usually have him in the company of another horn player, this set's got him carrying the full horn solo load by himself – working in a quartet, ... CD
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it' ... CD
Pivotal work from trumpeter Freddie Hubbard – a tight, edgy quintet performance that's done with a modern jazz sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s – yet ... CD