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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Arrangements and songs by Roy Harper – with production help from John Leckie – on titles that include "Naked Flame", "Cherishing The Lonesome", "These Last Days", "Watford Gap", and the side-long "One Of Those Days In England (parts 2 to ... LP, Vinyl record album
Blondie had a lot to live up to after Parallel Lines, but they pulled it off here – Eat To The Beat is another classic! Downtown cool, a strong sense of pop history and tight production by Mike Chapman make for a really distinct sound on this one. Standouts include the excellent opener " ... LP, Vinyl record album
An early gem from Jethro Tull – and a set that has the group really reaching forth with some of their more complicated, jazz-based musical impulses – while still holding onto some of the rawer power of the early days too! The album's lesser-known than some of the group's earlier hits ... LP, Vinyl record album
A beautifully baroque batch of tracks, written and arranged for the Electric Prunes by the great David Axelrod – a really groundbreaking mix of modes that had quite an impact back in the late 60s! The record shows Axelrod's perpetual fascination with the spiritual – mixed with that ... LP, Vinyl record album