This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Dizzy Gillespie plays here with the great Don Byas on tenor sax – joining Diz on two different Parisian dates from early 1952, both of them pretty darn sweet! The first session here is quite unusual – in that it features Humberto Cano on congas – bringing in a bit of a Cubop ... CD
Dizzy Gillespie , Dave Burns, Elmon Wright, Johnny Lynch, and Talib Dawud on trumpet, Milt Jackson on vibraphone, Howard Johnson and John Brown on alto saxophone, Sol Moore on baritone saxophone, Ray Brown on bass, Kenny Clarke on drums, Thelonious Monk on piano, James Moody and Ray Abrams on tenor ... CD
Outstanding Dizzy Gillespie material – from one of his most overlooked periods! The time is the mid 60s, and after a few years of working with Lalo Schifrin in his group, Dizzy's changed his Latin bag from hard-edged Cubop to mellower more complicated Bossa and modal jazz. The result is ... CD
43 tracks with Benny Carter on alto, Coleman Hawkins, Ben Webster, and Chu Berry on tenor, Milt Jackson on vibes, Al Haig and John Lewis on piano, Milt Hinton and Ray Brown on bass, and Joe Harris, Kenny Clarke, and Teddy Stewart on drums. CD
A collection of classic material by the legendary Dizzy Gillespie – a set that shows the earliest mark he made on modern music, recorded in the late 40s with an array of top-shelf players! The 20 track set list is overflowing with Gillespie classics – presented here in seminal ... CD
40's LP collection of some of the earlier sides that Dizzy cut for Savoy, with be bop classics like "Our Delight", "One Bass Hit", "Oop Bop Sh'Bam", "Salt Peanuts", and "Dizzy Atmosphere". The groups include players like Charlie Parker, Sonny Stitt ... CD
Not "blues" like you might expect from the title – but a hip batch of tracks that has guitarist Kenny Burrell soloing over these great large arrangements by Don Sebesky – playing in a warmly chromatic mode that's similar to the work that Wes Montgomery also cut with Sebesky, ... CD
Sonny Stitt's work for Verve was some of his best on record – and this album is a perfect illustration of that bold claim! Sonny's blowing here in a wonderful style – a bit more restrained than on his early bop sides, more complicated than on his later soul jazz sessions, and all ... CD