This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Lost late Stitt – and a much more compelling album than you might think. The album's got a nice underground feel, despite the fact that it's a tribute to Ellington – with a core combo that features Stitt on alto and tenor, Gildo Mahones on piano, Allen Jackson on bass, and Clarence ... LP, Vinyl record album
Stitt's on the Varitone here – blowing away on a mellow set of late night tracks that features some great original compositions! Sure, the groove is perhaps a bit sleepier than some of his other sides of the time, but Sonny always does well in this sort of late nite mode – and the ... LP, Vinyl record album
Like Eddie Harris, Lou Donaldson, and a few other aging soul jazz stars in the late 60s, Sonny Stitt turned to the electric Varitone sax to juice up his career a bit. And while he never used it to as good effect as players like Harris and Donaldson, he still managed to crank out some nice sounds, ... LP, Vinyl record album
A great one from Sonny Fortune – done with the fusiony sound he was working so well with at the time, and still filled with a tight conception and an incredible group of musicians who bring depth and deliver some really great solos! The title track is an incredible 10 minute cut that breaks ... LP, Vinyl record album
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... LP, Vinyl record album
Killer work from Freddie Hubbard – some key transitional sides for Atlantic Records, and easily some of his most soulful work ever! Freddie started out as a bopper on Blue Note, but then made a great shift at Atlantic – exploring space and sound in a really wonderful way, and opening ... LP, Vinyl record album
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My ... LP, Vinyl record album
Much cooler than you'd guess from the classical-sounding title – thanks to the fact that Roy Ayers plays vibes and Sonny Sharrock plays guitar – and the whole thing was arranged by William Fischer! LP, Vinyl record album
Truly one of the Modern Jazz Quartet's greatest albums – and a set that has an edge and a darkness that's missing from some of their other Atlantic records! Part of the reason for this may be the group's fantastic reading of Ornette Coleman's "Lonely Woman" – a killer moody ... LP, Vinyl record album
Stunning early work from trumpeter Ted Curson – a record that's got as much soul and rock-solid power as you'd guess from the image on the cover! Ted's working here in the company of his frequent partner from the early days – tenorist Bill Barron – and together, they come up with ... LP, Vinyl record album