This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great mid 40s work from Coleman Hawkins – some singles recorded for Capitol, with work from an unusual array of players on the Hollywood scene! Most cuts feature the young Howard McGhee on trumpet – plus Sir Charles Thompson on piano, Allan Reuss on guitar, and either John Simmons or ... LP, Vinyl record album
A great collection – one that features a side of material from the album Soul, with piano by Ray Bryant; and another side of a set recorded with the Red Garland Trio. Also features the full album At Ease – wonderful late work by Coleman Hawkins – a player who was very much " ... LP, Vinyl record album
A 50s collection of material cut by Coleman Hawkins in the early 40s – working with a wonderful small combo that includes Teddy Wilson on piano and either Roy Eldridge or Buck Clayton on trumpet! The tracks are mostly lively and upbeat, and Hawkins' tenor has that wonderful mid 40s sound ... LP, Vinyl record album
Long, lean, and later work by Coleman Hawkins – recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark – and feature Hawk soloing in that open, exploratory way he was using during the time – a mix of older ... LP, Vinyl record album
Great later Coleman Hawkins on Impulse – just the sort of deep-toned, soulfully-blown record that makes all his sessions for the label so great! Hawk's very firmly in the lead on that classic tenor of his – but the rest of the lineup keeps things swinging too – with Snooky Young ... LP, Vinyl record album
The Hawk, in prime late form, lays down some beautiful tenor solos over gentle bossa nova accompaniment – working in a mode that's much more satisfying than just a "classic player meets bossa" session, angularly crafting the solos with that dark edge that he had in all of his later ... LP, Vinyl record album
A wonderful album of Latin grooves from Shorty! The record is one of his best, and features a whopping array of percussionists – including Carlos Vidal, Modesto Duran, and Mike Pacheco all coming into play with Shorty's west coast style of arrangements, tweaked greatly here to pick up an ... LP, Vinyl record album
A rare modern jazz set from the early 60s – noteworthy in that it's one of the few recordings from the time of Chicago tenorist Joe Daley – who works here in a trio with the young Hal Russell on drums! And yes, that's the same Hal that later broke out strongly in the Windy City avant ... LP, Vinyl record album
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – ... LP, Vinyl record album
One of the many nice sides that Hines made during the 60s, when he was being rediscovered by the labels, and touted as a traditionalist who was still working to expand his style. The group's here are nice and small, and Hines trio is augmented by either Budd Johnson or Ray Nance on most tracks. ... LP, Vinyl record album
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... LP, Vinyl record album
One of the great tenor and organ dates cut for RCA in the 60s by the team of Johnny Hodges and Wild Bill Davis! Guitar is by Mundell Lowe and Dickie Thompson – and titles include "Con Soul & Sax", "On Green Dolphin Street", "Johnny Come Lately", "No ... LP, Vinyl record album