This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A near-forgotten gem from Coleman Hawkins excellent late 50s period – recorded for the short-lived Felsted label, and done in a beautifully relaxed way! The tracks here are long and easy-going – at times even more open than Hawkins' work for Verve, and in the style he'd explore even ... LP, Vinyl record album
A 50s collection of material cut by Coleman Hawkins in the early 40s – working with a wonderful small combo that includes Teddy Wilson on piano and either Roy Eldridge or Buck Clayton on trumpet! The tracks are mostly lively and upbeat, and Hawkins' tenor has that wonderful mid 40s sound ... LP, Vinyl record album
Long, lean, and later work by Coleman Hawkins – recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark – and feature Hawk soloing in that open, exploratory way he was using during the time – a mix of older ... LP, Vinyl record album
The Hawk, in prime late form, lays down some beautiful tenor solos over gentle bossa nova accompaniment – working in a mode that's much more satisfying than just a "classic player meets bossa" session, angularly crafting the solos with that dark edge that he had in all of his later ... LP, Vinyl record album
Great great 2LP set that features some of Dizzy's incredible late 40s work for Bluebird! The set not only includes some killer bop material, of the sort that made Dizzy an instant fave, even with folks who hated Bird – but it also includes some of Dizzy's early cubop recordings, which mixed ... LP, Vinyl record album
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond ... LP, Vinyl record album
A great duet – Warren Smith on drums and Japanese reedman Hidefumi Toki on alto and soprano sax – just playing two long spare tracks on this direct-to-disc recording! Plays at 45rpm! LP, Vinyl record album
Accompanied by the Boston Pops Orchestra conducted by Arthur Fiedler, with Louie Bellson on drums and John Lamb on bass, and arrangements by Richard Hayman. LP, Vinyl record album
A very nice stripped-down set by Tony Scott – one of the most overlooked reed players of the 50s, and an artist who ventured into much more hippy-dippy oriented material during the 60s. The set supposedly features "both sides" of Scott's work – but it's really only a simple ... LP, Vinyl record album