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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Elvin Jones towers above his bandmates on the cover of this 70s classic – and really leads them onward to some great sounds within! The record has a bit more focus and soul than some of Jones' other albums of the period – still quite powerful and dynamic, but with a good adherence to ... LP, Vinyl record album
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue ... LP, Vinyl record album
A overlooked gem in Elvin Jones' Blue Note career – and an album that's virtually the blueprint for the Stone Alliance sound forged later in the decade by bassist Gene Perla and reedman Steve Grossman! Both players are working to full effect on this smoking little set – mixing some of ... LP, Vinyl record album
Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a ... LP, Vinyl record album
Maybe the funkiest album that guitarist Larry Coryell ever cut – his debut as a leader, and a fuzzy, freaky set that features some massively heavy drums from the great Bernard Purdie! The set's jazz at the core, but has lots of rock elements too – including vocals from Coryell on a few ... LP, Vinyl record album
A fantastic record from guitarist Larry Coryell – one that maybe has him shedding some of the more rockish tendencies of his roots, while finding the way forward in a searing, searching style of funky jazz! There's almost a Flying Dutchman sort of righteousness to the record – as Larry ... LP, Vinyl record album
Not as funky as Moody's work for Perception, but definitely in a similar mode. The record's got James playing alto, tenor, and soprano – in a group that includes Kenny Barron on electric piano, Roland Prince on guitar, and some guest trumpet by Randy Brecker. The tracks shift from warm and ... LP, Vinyl record album
A legendary set of concerts – put together by this famous producer who discovered Billie Holiday and so many other great jazz talents! Features work by Joe Turner, Albert Ammons, Meade Lux Lewis, Sonny Terry, Pete Johnson, and Count Basie! LP, Vinyl record album
A great session of all-star work by artists who were recording for Vanguard Records in the 70s – a crack lineup that features Elvin Jones on drums, James Moody on tenor, Clark Terry on trumpet and flugelhorn, Roland Prince on guitar, and Bunky Green on alto sax! The group also gets some non ... LP, Vinyl record album
Larry Coryell tries out his vocal chops a bit on this album with his classic group from the early 70s – but the main "voice" on the record is still his wonderfully tight guitar – which has a beautifully sharp sound throughout! When Coryell sings, he almost seems to be doing ... LP, Vinyl record album