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With George Mraz on bass and Al Foster on drums. (Cover is bent a bit at the top right corner.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Genius work from the always-compelling Walter Norris – a pianist with a sense of complexity that's always mesmerizing, but one who can also find a way to effortlessly swing at the same time – which he does beautifully on this overlooked set from the early 80s! Most tracks are long, and ... LP, Vinyl record album
Second mammoth set of heavy trumpet work featuring John Dearth, John Eckert, Tom Harrell, Danny Hayes, Mike Lawrence, Danny Moore, and Waymon Reed going to town on numbers by a variety of composers. The group is rounded out by Jimmy Rowles on piano, Michael Moore on bass, Bucky Pizzarelli on ... LP, Vinyl record album
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