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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with ... LP, Vinyl record album
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... LP, Vinyl record album
Key work from the guy who put the "modern" in modern jazz – the great George Russell, heard here in the company of some younger players who definitely help him seek out some new territory in music! The record's got a wonderful balance between sharp edges and swing – a sound ... LP, Vinyl record album
An unusual record, with three different groupings of tracks – trio work with Mundell Lowe on guitar, George Duvivier on bass, and Jack Greenberg on English horn; vocals from Barbara Lea, with backing by a quintet led by Billy Taylor on piano; and solo piano from Tony Burrello. LP, Vinyl record album
A surprisingly nice pairing – the vibes of Milt Jackson and some larger horn backings that fall heavy on the trumpet and trombone side of the spectrum! The sound's not nearly as heavy or hokey as you'd expect – thanks to arrangements by Melba Liston – and the horns do a nice job ... LP, Vinyl record album
A collection of sides cut in the early 60s by Wes for Riverside, collected later when the label was owned by ABC. There's a couple of cuts in a nice organ trio feature the great Mel Rhyne "Round Midnight" and "Yesterdays", plus several that feature his brothers Buddy and Monk ... LP, Vinyl record album
A really compelling little album – the only one as a leader we've seen from Lenny McBrowne, a drummer who worked with Roland Kirk and some other left of center players in the 60s! The album's got a nice blend of modern and soul jazz themes – and was one of those excellent "Cannonba ... LP, Vinyl record album
Amazing work from west coast saxophonist Bill Perkins – playing here in a mode that's quite different than his more famous 50s recordings! The style here is almost one you'd hear on late 60s A&M Records – definitely "quietly there", with a blend of Perkins' reeds and ... LP, Vinyl record album
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton ... LP, Vinyl record album