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At Last (Original Chess Masters pressing)

LP (Item 709525) Chess/MCA, 1960 — Condition: Near Mint-

An amazing step forward for the young Etta James – a singer who was delivering a raw, shouting form of R&B just a few years before – but who here ascends into soul music heaven with her famous work on the album! The title cut is the stuff of legend – played and played, again and again over the years – but the whole record's wonderful, and handled with this new level of soul sophistication by arranger Riley Hampton – the great Chicago talent who'd reach similar heights in his charts for singers that include Lorez Alexandria and Walter Jackson. Hampton's dark use of strings brings out a whole new side of James' brilliance – a quality that raised Etta James up out of the R&B ghetto, and forever put her into the legions of legendary 60s soul stars! Titles include the perennial classic "At Last", plus "All I Could Do Was Cry", "Tough Mary", "Sunday Kind Of Love", "Anything To Say You're Mine", and "Trust In Me".  © 1996-2020, Dusty Groove, Inc.
(80s pressing. Cover has light wear in one bottom corner, but is great overall.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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