This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An excellent Hank Mobley session – with an unusual twist that takes it past his earlier work! The lineup's great all the way through – with Woody Shaw on trumpet, George Benson on guitar, and Billy Higgins on drums – and the addition of Benson's guitar gives the tracks a groovily ... CD
One of Joe Williams' standout classics from the 50s – just the sort of record that put him on top of his game at the time! The album's one of Joe's classic outings with Count Basie – one recorded for Roulette with a slightly looser, slightly rawer feel than their work together on Verve. ... CD
A stone classic from reedman Ronnie Laws – and an album that really helped set a whole new standard for funky fusion in the 70s! Laws works here with great Wayne Henderson production – which gives the album an even sharper sound than other Blue Note sets of this vintage – and ... CD
With Steve Slagle on alto sax, Gary Smulyan on baritone sax, Dennis Irwin on bass, Charles Russo on clarinet & bass clarinet, Lewis Nash on drums, Michael Parloff & Steve Slagle on flute, James Weidman & John Hicks on piano. CD
Features Emmanuel Pahud on flute, Jacky Terrasson on piano and Fender Rhodes, Sean Smith on bass, and Ali Jackson on drums. All tracks are arranged by Terrasson and based on pieces by Ravel, Faure, Saint-Saens, Mozart, Vivaldi, and Debussy. CD
Pretty trippy stuff – duets between Jarrett and DeJohnette, in a variety of modes that run from out and improvised, to mellower and modal. Jarrett plays piano, electric piano, organ, and flute – and DeJohnette plays a variety of percussion. Titles include "Ruta & Daitya" ... CD
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... CD
Very hip work from the two players – and never released before! The set was recorded as part of a series produced by Baltimore's hip Left Bank Jazz Society, and it features Heath and Hubbard leading a quintet that also include Gus Simms on piano, Wilbur Little on bass, and Bertell Knox on ... CD