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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A sweetly stepping session of bluesy jazz vocals from Jeannie Cheatham – outwardly a trad-oriented record, but done here with some nice light west coast touches that really capture the best of the Concord groove of the early 80s. There's a gentle swing to the tracks that reminds us of some ... LP, Vinyl record album
One of our favorite albums by Sammy Davis Jr ever – a real lost treasure from his early years at Reprise! The record's got a jazzy,s winging style that's really great – and features the tasty hit "Bee Bom", a scatting masterpiece that's one of Sammy's best tunes ever – ... LP, Vinyl record album
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul ... LP, Vinyl record album