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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Unbelievable! This is one of the maddest Roland Kirk albums of all time – and it's also one of the hardest to find! The title says "Slightly Latin", but it's more of a mixed-up Now Sound/Bacharach-ish blend of orchestrations and voices, plus Exotica tinges, with Roland playing ... CD
A landmark album from Roland Kirk – one of his key 60s sides for Atlantic records, and an amazing blend of soul jazz, hardbop, and freer thinking styles! Roland's playing an insane assortment of horns on the set – often at the same time, if you know his 3-way style of blowing – ... CD
Some of Roland Kirk's grooviest work – recorded for the Mercury and Limelight labels during the 60s, with a mixture of styles that always perfectly suits Kirk's mad-blowing style of sax work! The tracks range from straight and quirky soul jazz to Latin-esque, to some with a strange approach ... CD
A real stormer – and one of Kirk's best records! Half the album is quartet material, recorded by a group that includes Harold Mabern on piano and Sonny Brown on drums. The other half of the record's equally good – and features a large group with a rhythm group that includes Mabern, ... CD
One of the last really all-star sets from Quincy Jones – and a record that reprises the format of some of his big records of the 70s – like Mellow Madness or Body Heat – in a way that has Quincy surrounding himself with top-shelf artists of all sorts, from jazz soloists, to hip ... CD
An incredible return to form for the Art Ensemble of Chicago – as the return of Joseph Jarman to the group really seems to have given them a new sense of focus, purpose, and direction! There's a tunefulness here that's really wonderful – a sense of lyrical interplay that's especially ... CD
Really wonderful stuff – and one of Gary Bartz's greatest albums ever! This double-length live set was recorded around the time of his NTU Troup albums for Milestone – but it's a bit more straightforward than those sides, going back towards a searching soul jazz sound, with some slight ... CD