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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Diana Ross really finds a way to remake her groove here – a sweet new sound that fits her revamped look in the Andy Warhol image on the cover! Although Ross could sparkle strongly during the disco years, the best cuts here are some of the more midtempo moments – nicely spaced out in ... LP, Vinyl record album
An overlooked gem from Diana Ross' 80s years – a record that's quite different than her Motown music of the 60s and 70s, but in a way that really shows the singer stepping out and trying something new! The album's maybe more soulful than some of Diana's previous albums – thanks to work ... LP, Vinyl record album
A nice collection of some Diana's great early 70s work for Motown, when she really stepped out and established herself as one of the finest soul singers of the decade. 10 tracks in all: "Touch Me In The Morning", "Love Hangover", "Last Time I Saw Him", "I ... LP, Vinyl record album
A record so big they dropped the "Ross" from Diana's name – just to show how large the lady was living at the end of the 70s! The album was a key set in the solo years of Diana's career – a back to basics dancefloor effort done with impeccable production by Bernard Edwards ... LP, Vinyl record album
A fantastic early demonstration of the solo powers of Diana Ross – a live date from Vegas, and one that has her commanding the stage not just as a singer of soul music, but as a female star ready to rival the talents of any of her contemporaries in the mainstream! Ross shines here with a ... LP, Vinyl record album
An overlooked gem from Diana Ross – a set that's got a great mix of smooth grooves and tight soul numbers – all handled by 70s superproducer Richard Perry – and set to arrangements from Gene Page! Ross has this confident way of serving up the vocals, but an approach that's not ... LP, Vinyl record album
The Commodores tenth album – as you might guess from the big X on the cover – and a set that features some of the last great moments of Lionel Richie with the group! The album's a bit overlooked, but has a really great groove – kind of a middle ground between The Commodores' ... LP, Vinyl record album
Wicked early funk from The Commodores – a group that spent so much time on pop ballads in later years, it's hard to believe they could be this sharp and hard-edged! There's plenty of that bass-heavy style that would later dominate many Motown combos at the end of the 70s – but the ... LP, Vinyl record album
Given how much you hear this sort of stuff on the radio, you could easily forget that the Four Tops are actually a heck of a great vocal group, with harmonies that blew away many of their contemporaries, and which keep their work shining long past the hits. This second volume of hits has 12 tracks ... LP, Vinyl record album