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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Later modern work by Kenton – but still pretty darn great! The album features arrangements by Johnny Richards – clever explorations in time that still swing with that nice Richards touch, played by a group that features a number of lesser-known younger players, including Don Menza, who' ... LP, Vinyl record album
A seminal work in the development of the American jazz avant garde, and one of the most "out" records that Kenton (or Capitol) ever released! The whole album is based around a startling compositions by Robert Graettinger – "City Of Glass" – a chilling longform work ... LP, Vinyl record album
One of Stan's excellent later sides for Capitol – recorded during a flurry of incredible sessions that really pushed the already-great Kenton sound over the top! Here, Stan's working with a host of familiar ballads – but in a way that completely transforms the tunes, and turns them ... LP, Vinyl record album
A collection of some of Kenton's early 50s hits, presented here as "encores", with most of the tracks arranged by Pete Rugolo. 11 tracks in all, including "He's Funny That Way", "Painted Rhythm", "Journey To Brazil", "Somnambulism", "Chorale ... LP, Vinyl record album
Funky stuff from Stan – a very different album than usual! The style here is 70s big band funk – mixing the usual horn-heavy frontline with some electric bass and more of the groove that was showing up with the European big bands at the time – particularly those on the MPS label. ... LP, Vinyl record album
Beautiful work from Kenton – lush string settings that have as much power and imagination as his work with horns, and which come across with some really dark edges. The tunes are awash in color and tone – never sleepy strings, but edgey ones, as in the mode of Ralph Burns' best ... LP, Vinyl record album
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a ... LP, Vinyl record album
Oddly titled "The Debut On Disc", this set isn't really Solal's first on vinyl – but it is some classic early modernist material. Side one features a trio with Guy Pederson and Daniel Humair – on some amazing compositions by Solal, like "Ouin-Ouin", "Theme A ... LP, Vinyl record album
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – ... LP, Vinyl record album