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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the great albums of trippy soul that Jerry Butler cut with his Fountain Productions group of players, arrangers, and engineers – a group that borrowed a lot of talent from the Chess/Cadet studios of the late 60s. Jerry produced with Gerald Sims, and the arrangements were handled by ... LP, Vinyl record album
One of the greatest vocal groups to record for Mercury – with titles that include "Come Along With Me", "Now Is The Hour", "I'm Sittin On Top Of The World", "Is It Any Wonder", and "A Sunday Kind Of Love". LP, Vinyl record album
Not as strong as Coke's earlier work on Mercury – but not a bad album overall, thanks to some tight production work by Pat Gleeson, who's also most likely playing the cool keyboards on the record. Most of the tunes are aimed at the dancefloor – not really disco numbers, but the sort of ... LP, Vinyl record album