This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Monster funk from Hammond hero Reuben Wilson – an album of hard-burning, bad-walking tunes that are a fair bit different than most of his other work! Although Wilson recorded some pretty traditional organ jazz for the Blue Note and Groove Merchant labels, this album has him working with his ... CD
A classic Prestige LP that compiles earlier sides by Getz – four tunes from a 1949 session recorded under Stan Getz & His Four Brothers, with Zoot Sims, Al Cohn, Allen Eager, and Brew Moore – all blowing with Getz in a real "brothers-like" sax section sound. The remaining ... CD
Classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham. Hard hard hard bop, cracklin' with energy, and a great example of the kind of playing that made the group an instant success. Tracks on this second volume include " ... CD
Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized ... CD
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and ... CD
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, ... CD
A seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the ... CD