Scripting is disabled or not working. requires JavaScript to function correctly.
Style sheets are disabled or not working. requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Break Through

CD (Item 694497) Argo/Dusty Groove, 1962 — Condition: Used
$13.99 ...


Also available
Gene Shaw — Break Through (Japanese pressing) ... CD 13.99

An amazing record – bold, proud, and soulful – a set that we'd easily rank with any classic early 60s session on Blue Note – and for good reason too! This rare date is the debut as a leader for trumpeter Gene Shaw – also known as Clarence Shaw in an earlier history of work with Charles Mingus – and it's an incredible blend of hardbop grooving with sharper-edged modern jazz ideals – an incredible blend that comes off beautifully on every track in the set! Shaw's probably best known for his late 50s work on the Charles Mingus albums Tijuana Moods, East Coasting, and Modern Jazz Symposium Of Music & Poetry – but after a famous fight with Mingus, Clarence "hid out" in Chicago and worked under the name of Gene – but soon made big waves on his own with tremendous work like this. (In the liner notes to the 1963 release of Tijuana Moods, in which Mingus says that he loved Shaw, but can't get in touch with him anymore!) Every aspect of the record is superb – from the writing, to the rhythm section, to the incredibly well blown solos from trumpeter Shaw and tenorist Sherman Morrison – who himself is another vastly-overlooked talent in jazz. The rest of the group features James Taylor on piano, Sidney Robinson on bass, and Bernard Martin on drums – a totally crackling rhythm section who give most tunes a snapping sort of groove! Most tracks are originals, and titles include "Autum Walk", "Six Bits", "The Thing", "It's A Long Way", "AD's Blues", "Marj", and "Our Tune".  © 1996-2019, Dusty Groove, Inc.
(Out of print.)

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested

Funky Skull
Limelight/Dusty Groove, 1969. Used
One of our favorite albums of all times – and a legendary testament to the greatness of the Chicago music scene in the late 60s! Melvin Jackson was the bassist in Eddie Harris' very successful group of the time – and his playing on Eddie's trippy and funky records for Atlantic is one ... CD
Seriously Deep
Polygram/Dusty Groove, 1975. Used
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, ... CD
Columbia/Dusty Groove, 1966. Used
Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the ... CD
Argo/Jazz Beat (Spain), 1961/1963. Used
Two classic Chicago sessions by Sonny Stitt – both recorded with the little-known organist Eddie Buster! First up is Move On Over – a bit rough around the edges, but a very tasty set from Stitt! The album's sort of free-spun organ session – with Stitt on alto and tenor, Joe ... CD
Limelight/EmArcy, 1959. Used
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... CD
Blue Note, 1965. Used
One of the last great "lost" sessions from pianist Andrew Hill – material recorded for Blue Note in the mid 60s, and issued only briefly in the 70s – finally to be reissued here properly in its entirety for the first time ever! The record has Hill working at his sharpest and ... CD
Tongue In Groove
Winter & Winter (Germany), 1991. Used
... CD
Primal Light
Winter & Winter (Germany), 1997. Used
... CD
Never Too Late But Always Too Early
Eremite, 2001. Used 2 CDs
Peter Brotzmann blows beautifully here – in a set that's dedicated to bassist Peter Kowald, and which features some especially great work from William Parker in the group! Brotzmann's got some soulful tones right at the start – almost an exotic quality in his reeds that spins out ... CD
Change Of The Century
Atlantic, Early 60s. Used
Essential stuff! This is one of Ornette Coleman's greatest albums – and it was recorded during a period when he just couldn't miss! The group features Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins on drums – working here with a lively dancing sound on the kit, ... CD
Live Evil
Columbia, 1972. Used 2 CDs
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not ... CD
Columbia, 1994. Used
Majestically soulful work from tenorist David Sanchez – recorded with a depth and maturity that's incredible, and which is instantly timeless, despite the year of the recording. Sanchez plays both tenor and soprano with a confidence that's only matched by a few players – right up there ... CD

⇑ Top