This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very unusual material from this famous pianist – given that the group here features John Hardee on tenor sax and Milt Page on organ! Titles include "The Bug", "Misty Morning Blues", "Solace", "Monk's Mood", and "Night & Day". LP, Vinyl record album
A flurry of fantastic recordings from the legendary Billy Taylor – material the pianist recorded for Prestige Records in the early 50s – at a time when he was really helping to transform the sound of the piano in jazz! These sides have Taylor showing that a small combo piano date can ... LP, Vinyl record album
A pretty great trio date from Billy Taylor – and somewhat overlooked, too! The group features Henry Grimes on bass and Ray Mosca on drums – and the set captures Billy in a perfect spot between his early work for Prestige, and some of his 60s mainstream material – heard here in a ... LP, Vinyl record album
Rare Roost sides from Billy Taylor – recorded with a unique combo that features Charles Mingus on bass and Marquis Foster on drums! Mingus' bass tones are extremely pronounced in the set – bolder and more aggressive than we're used to hearing with Taylor at the time – and Taylor ... LP, Vinyl record album
It might not be the frolic that the title implies, but that's a plus – because this a straight-up solid early album from Taylor – recorded in tight trio format, with that no-nonsense soulful approach that made him a star player from the start! The group features the great (and ... LP, Vinyl record album
Early work by Billy Taylor – cut at the height of his 50s popularity, with his famous trio of Percy Brice on drums and Earl May on bass. The title gives it all away – as Taylor plays soulful renditions of standards like "But Not For Me", "Cheek To Cheek", "It's ... LP, Vinyl record album
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... LP, Vinyl record album
Nice nice album on Prestige, bringing together Jug's earlier sides in 2 different settings. The first batch has Ammons "battling" Sonny Stitt in a set of stuff that features hard twin tenors in the frontline, with the kind of cutting contests the two of them would perform live all over ... LP, Vinyl record album
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, ... LP, Vinyl record album
A key album in the career of Richard Groove Holmes – his first session ever for Prestige Records, and the one that yielded the monster crossover hit version of "Misty"! The sound here is much leaner and cleaner than Groove in his Pacific Jazz years – a tight trio approach ... LP, Vinyl record album
Double LP set that brings together two Coltrane sides for Prestige from the late 50's – Black Pearls and The Believer. Both LPs are nice easy blowing hard bop albums that feature Coltrane in a relaxed setting that lets him open up and get very exploratory in his solos. Donald Byrd's playing ... LP, Vinyl record album