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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great Japanse-only album that brings together rare early material from Lennie Tristano – a player who was years ahead of his time in these 40s recordings, working in a trio with the great Billy Bauer on guitar! LP, Vinyl record album
Rare material from the great Lennie Tristano – a host of tracks that sit perfectly with his two landmark albums for Atlantic Records – and which maybe even push the envelope a bit more as well! The material is all from the 50s and early 60s – and is pulled together here in an ... LP, Vinyl record album
An incredible record by Lenny Tristano – one that features him playing solo piano, but in a way that's so inventive, so creative, so pyrotechnic, that Atlantic Records had to include text on the back cover saying "No use is made of multi-tracking, over-dubbing, or tape-speeding" ... LP, Vinyl record album
Herbie Mann got a standing ovation for this performance – at least if the title is to be believed – and considering the grooves on the set, it was all for very good reason! The album's one of the few to feature Mann in the company of pianist Chick Corea – who steps out here with ... LP, Vinyl record album
After dipping into the Memphis Underground, Herbie continues his tour of the funky south – recording here at American Studios in Memphis (only 5 miles from Mississippi, we guess!), with a small combo that includes Bobby Emmons on organ, Bobby Wood on electric piano, and Reggie Young on guitar! ... LP, Vinyl record album
One of the best early albums cut by John Lewis as a leader – a set that's a fair bit different than John's work with the Modern Jazz Quartet – thanks to strong guest appearances from players who include Paul Gonsalves and Benny Golson on tenor sax, Eric Dolphy on alto, Jim Hall on ... LP, Vinyl record album
A great little 70s session from Mingus – the first in the 2-part Changes set – and whether you collect those jointly or separately, they contain some of his best work from the period The sessions were recorded with a small group that includes George Adams, Don Pullen, and Jack Walrath. ... LP, Vinyl record album
One of Rahsaan Roland Kirk's last truly fantastic albums – a set that still has all the amazingly messed-up qualities of his best late 60s work – delivered with the honest heart and sense of soul that always make us love his music! The set was recorded for Atlantic in the early 70s, ... LP, Vinyl record album
Definitely some mystical adventures here from Jean-Luc Ponty – one of the few artists on the violin who can make it come up with sounds like this – weird cool and spacey elements that sound great next to the album's use of organ, keyboard, and Fender Rhodes! The album features two long ... LP, Vinyl record album
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and ... LP, Vinyl record album