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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Older tunes, redone beautifully by Buddy DeFranco – in a sweetly open-ended style that makes the album one of his best for Verve! The album was done in 2 different sessions – one with Ray Linn on trumpet, Jimmy Rowles on piano, and Barney Kessel on guitar – the other with George ... CD
Buddy DeFranco plays tunes associated with Benny Goodman and Artie Shaw – but in a completely different way than before – with a wider-open swing for the 50s! The work here is all small combo, not big band – and there's a free-flowing groove that's totally great – a sound ... CD
Features Ben Webster on tenor! Tracks include "Have You Met Miss Jones", "All The Things You Are", "Where Or When", and three takes of "Gone With The Wind". CD
Can't get enough Cannonball Adderley during this magical point in his career – the time when things were really coming together for his uniquely soulful sound, as you'll hear in this set! The live date's got all the crackle and fire of famous Adderley albums for Riverside – and it ... CD
Ellington in Paris – a great lost live recording from the late 50s, issued as one of the treasures to come out later on Pablo Records! There's a nice edge to the recording – more so than some of the more polished Ellington live dates of the time – partly because of the recording ... CD
Brilliant lost work by Shelly Manne – featuring a group and a format that's very similar to Manne's outstanding Live At The Blackhawk albums! The group's a quintet featuring the great (and short-lived) Joe Gordon on trumpet, plus Richie Kamuca on tenor, Russ Freeman on piano, and Monty ... CD
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... CD
Zoot Sims on tenor saxophone, John Heard & Michael Moore on bass, John Clay & Shelly Manne on drums, Jimmy Rowles on piano & Ray Sims on trombone & vocals. CD
A Pablo Records release – but featuring material that was originally destined for Verve Records in the 50s – a rare performance in Japan by the Jazz At The Philharmonic! The double-length set is overflowing with goodness, all recorded in the open-ended, warm-hearted style that Norman ... CD
Belated release of Stan Kenton's 1957 performance at the Newport Jazz Festival. Tracks include "Artistry In Rhythm", "Stompin' At The Savoy", "Yesterdays", "The Peanut Vendor", "Intermission Riff", and "The Big Chase". CD
Beautiful sounds from JJ Johnson and Joe Pass – one of those great stripped-down Pablo Records sessions that were easily some of the greatest moments on the label! Pass was a real star in sets like these – which were perfect for his gentle approach to jazz guitar – and it's great ... CD