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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Although Kenny Barron's always a heck of a great musician on his own or in a piano trio, we're especially partial to his work in groups with horn players – and this album is a great example of that preference! Kenny first came to fame working with Dizzy Gillespie in the 60s, and since that ... LP, Vinyl record album
With Bennie Wallace on tenor, Dave Holland on bass, and Elvin Jones on drums. Tracks are nice and long – and Wallace hits some of the tenor heavy lines you'd hear on a Jones trio set! LP, Vinyl record album
A great amalgamation of players – and a quintet with powers far beyond their hokey name! The group's working in a polished approach to post-bop – a bit like styles heard on some of the Timeless and Steeplechase sessions of the late 70s, but with a more directive approach that really ... LP, Vinyl record album
The title's an appropriate one – as the record drifts a bit lazily from track to track. The energy never really picks up, and but it's got a nice laid back, spacious approach, settling comfortably into its destiny as a set of piano/bass duets. Titles include "Space Maker", "No ... LP, Vinyl record album
Stunning stuff – and one of the few great records that vibist Freddie McCoy cut for Prestige! Very different than the usual funky vibesmen, Freddie's got a style that leads itself nicely to modal pop soul jazz – as you'll hear on the short little groovers that fill up this album, all ... LP, Vinyl record album
A rare one for Sonny Stitt – an album for Pacific Jazz recorded on the west coast, but done with some hard-burning organ work by Charles Kynard that easily matches any of Stitt's best soul jazz sides from the east! There's a tightly cooking feel to the entire set that's really great – ... LP, Vinyl record album
A nice later set from the mighty burner, after he returned to the more bluesy organ based format from the more R&B and fusion inflected sets he'd released throughout the late 70s and early 80s. Though the rough edges are a bit more smoothed out on some of the numbers than we'd care for, the ... LP, Vinyl record album
One of the hippest of Gerald Wilson's recordings for Pacific Jazz in the 60s – an excellent live session with a very groovy edge! Wilson's studio work for the label at the time was great enough, but somehow, hearing his group working live, we get a new appreciation of his genius – as ... LP, Vinyl record album
Great live work from the Dave Brubeck Quartet – a batch of recordings from Boston's legendary Storyville night club! The lineup features Dave on keys and the mighty Paul Desmond on alto sax – already stepping out here with a clear, crisp tone that's simply beautiful – a style ... LP, Vinyl record album