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Futures Passed (Enja)

LP (Item 690930) Enja (Germany), 1976 — Condition: Near Mint-

One of the coolest, grooviest albums we've ever heard from vibist Dave Friedman – a set that really lives up to the promise we sometimes expect from other records of his, but never find this clearly! Friedman plays both marimba and vibes – the latter with this bold, chromatic quality that comes through even in gentle moments – a bit like Gary Burton, but turned towards much more varied ends here – as the songs really shift in mood and approach, keeping things fresh throughout! Vocalist Rimona Francis lends her lovely wordless singing style to about half the album's tracks – but in a way that's more like an instrument than a conventional jazz singer – and the group also features surprisingly great acoustic piano work from Pat Rebillot (who we mostly know from keyboard sessions), plus Harvie Swartz on bass and Bruce Ditmas on drums. Titles include "Rachel's Samba", "Rodney's Dream Of Fantasy & Self Fullfilment", "Three Pieces", "Trinkle Trinkle", and "A Smile On The Face Of Mourning".  © 1996-2019, Dusty Groove, Inc.
(US pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

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