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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Here's a fine couple of tracks from a duo we wouldn't have anticipated – but it's make perfect sense when you think about it! The earliest, starkest and most hip hop Cypress Hill productions that DJ Muggs cooked up would have worked pretty well behind the Wu Tang wordsmiths, and GZA's turns ... 12-inch, Vinyl record
Includes "En Vogue" by Planet Asia, "F*ck A Hook" by Royce 5'9", "Key Master" by High & Mighty, "Like This" by Hangar 18, "This Is Dedicated" by Wale Oyejide and MF Doom, plus a freestyle from Cyrus The Great and Little Brother. 12-inch, Vinyl record
One of the first hip hop singles that really made the crossover to dancefloor play. By this point, everyone's heard the sample three million times, but it's still holds up better than most of the uptempo cuts from that era. 12-inch, Vinyl record