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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
Pretty wild work from Yoko Ono – a mixture of straight rock tunes and some very experimental numbers, a few of which sound so much like New York No Wave tunes from a decade later that we have to admit we're pretty darn shocked! In fact, we'd dare say the record's better than anything ... LP, Vinyl record album
(Original green label pressing in the die-cut cover. Includes the printed inner sleeves, one with square corners. Outer cover has some wear and aging, bumped corners, some fraying at the top left corner, and partially unglued bottom seam.)LP, Vinyl record album
Titles include "The Seal Of Seasons", "Stones For Avalon", "She Was Born To Be My Unicorn", "Evenings Of Damask", and "Iscariot". LP, Vinyl record album
(Cover has some ringwear, split spine, small stains and blemish spots, initials in pen in back, and is lightly bent at the top left corner.)LP, Vinyl record album
Life after Peter Gabriel – with Phil Collins doing a surprisingly great job on vocals – free from all the tripe of later years! The group are still very much in the mode of their early prog years, but balance things out with a few catchier tunes – a mode that's a bit like the ... LP, Vinyl record album
A definitive Beach Boys collection that graced many a stereo back in the 70s – filled with gems that include "Let Him Run Wild", "Warmth Of The Sun", "Catch A Wave", "Don't Worry Baby", "You're So Good To Me", "All Summer Long", ... LP, Vinyl record album
A really beautiful record from XTC – one that seemed to unlock a slightly deeper spirit in the songwriting of Andy Partridge, and which also introduced some vaguely pastoral elements the group never had at the start! The style here is a bit hard to describe easily – still as catchy as ... LP, Vinyl record album
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... LP, Vinyl record album
Two of LA's best soul jazz talents team up in this set of funky tracks with a good LA studio groove to them. Freddy Robinson's on guitar, Wilton Felder's on bass, and King Errison's on congas – and all tracks are played by a small little combo. The best titles are originals by Watts – ... LP, Vinyl record album