This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Includes both early Capitol material from the late 40s, and late 50s tracks from Peggy Lee's return to the label – with titles tha tinclude "Manana", "My Man", "Fever", "Golden Earrings", "Don't Smoke In Bed", and "While We're Young". CD
A full, rich set of vocal tunes from Peggy Lee – all done in a style that's quite different than her later work at Capitol Records, but still mighty darn nice! Sy Oliver handled the arrangements for the record – and he brings in a blend of strings and jazz that really creates a lot of ... CD
One of Peggy Lee's jazziest albums, thanks to some pretty darn smart arrangements by a young Quincy Jones! Quincy takes Peggy's great vocal style and gives it a nice extra umph, in the way that he did on similar vocal sessions from the same time (like Sinatra's famous "Fly Me to the Moon" ... CD
Very groovy work from Peggy – a set of tunes tone with a nice little Latin flair! The tunes themselves are all Broadway hits of the late 50s and early 60s, but they're redone wonderfully here – so that they often bear little resemblance to the originals. Jack Marshall handled the ... CD
A great illustration of the upbeat, positive vibe that Peggy Lee could serve up when she was at her best – a cool Capitol Records mode that really helped Lee set a whole new tone for singers in the 60s! The great Jack Marshall is at the helm on arrangements – putting things together ... CD
Obscure work from Rosemary Clooney – one album recorded in Nashville, one recorded in London – both of them issued during the 70s, to very little fanfare at a darker time of Rosie's career. The mood shifts from adult easy to country to simple pop – and titles include "Don't ... CD
Late Capitol work by the Four Freshmen – 2 albums that are some of the most obscure in their catalog! More 4 Freshmen & Five Trombones is a fitting follow-up to the group's original album – one of the best in their 50s catalog, thanks largely to Pete Rugolo, who makes a return ... CD