This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Includes a mid 40s trio session with Oscar Pettiford, a 1964 solo date, and a 1966 trio session with Richard Davis and Elvin Jones that was originally released on Bob Thiele's short lived Contact label as Here Comes Earl Fatha Hines! CD
Lots of small combo work with Herbie on piano, Dex on tenor, Pierre Michelot or Ron Carter on bass, and Tony Williams or Billy Higgins on drums. Titles include "Still Time", "Minuit Aux Champs Elysees", "Chan's Song", "Fair Weather", "The Peacocks" ... CD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... CD
Wynton Marsalis' second date for Columbia Records, and an album that already has him stretching out from the first! Unlike before, when Wynton was given a few older players to help establish his sound, the group here is all Marsalis' own – with brother Branford on tenor and soprano sax, ... CD
One of the great Miles 70s groove albums – an album that's often as funky as you might expect from the cover, with a sound that's gone onto become the stuff of legend over the years! The noise of previous electric sessions is nicely toned down a bit here – leaving lots more room for ... CD
Classic 60s work from Thelonious Monk – featuring his incredible quartet with Charlie Rouse on tenor, certainly Monk's best-ever musical soulmate! The album features some newer versions of older tunes, and a few written just for the album – but the source of the material is not ... CD
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in ... CD
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – ... CD