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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Blues harp player James Cotton is in strong Chicago form here – very much the kind of setting that matches his early work of the 60s – with work from two bands – one with Magic Slim on guitar and Pinetop Perkins on piano – the other with Douglas Fagen on tenor, Eddie Harsch ... LP, Vinyl record album
Small group work from the 40s into the 50s – with accompaniment from Roosevelt Sykes on piano on many tracks, plus work from Eddie Chamble on tenor, JT Brown on alto, Big Bill Broonzy on guitar, and Willie Dixon on bass – each of whom play a bit. LP, Vinyl record album
BB King hips up his groove a bit here – picking up some of the crossover soul and rock touches used by contemporaries over at Chess/Cadet, and expanding his sound with a range of guests that include Leon Russell, Joe Walsh, and Carole King! Despite the presence of these bigger names, the set' ... LP, Vinyl record album