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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A real turning point in the career of singer Mark Murphy – a great session for Capitol from 1960, done with creative arrangements from Bill Holman, and a sound that opens up strongly from Murphy's Decca years! In a way, the record is one of the first times that Murphy really got to do what ... LP, Vinyl record album
Not one of Mark's most funky records – but a strong set with some unusual material, recorded with the accompaniment of David Braham on keyboards, Ted Curson on trumpet, and Gerry Niewood on tenor and flute. The highlights are the title track, Donald Fagan's "Maxine", and a good ... LP, Vinyl record album
One of his best for Muse, with a beautiful set of jazzy vocal grooves that includes his reading of "Stolen Moments" (later made famous by United Future Organization), plus "D.C. Farewell" and an excellent version of "Waters of March". Warm and breezy, with that ... LP, Vinyl record album
Grady's most obscure album – and one that's got much more of a jazzy tip than his other ones. Richard Tee plays electric piano, and the band includes Billy Butler, George Coleman, and Ron Carter – all of whom do their best to keep things hip, and not fall into some of the schmaltzier ... LP, Vinyl record album
A really great overview of the career of Eddie Jefferson – one that begins with his first few vocal singles of the 50s, and follows him through album work for Riverside and Prestige in the 60s! Jefferson's contribution to jazz is tremendous – as he was one of the first to set lyrics to ... LP, Vinyl record album
Really lovely work from Michelle Hendricks – a set that's quite different than the work of her famous father Jon, but equally groovy in the end! Michelle's more of a direct vocalist than her dad – less inclined to vocalese, and more lyrically directed, but in a really wonderful way ... LP, Vinyl record album
Great songs, great vocals, great instrumentation, and another late 70s classic from Michael Franks – one of the few mainstream masters of understatement in his generation! As on all his best albums, the style here is a subtle blend of jazz and pop with a bit of a Brazilian inspiration – ... LP, Vinyl record album
An excellent early album by one of the greatest jazz vocalists of all time! The session's a very hip affair – recorded with the Ramsey Lewis Trio backing her up on one side, and a group led by Frank Foster on another – both playing in a tight soul jazz mode that works perfectly for ... LP, Vinyl record album