Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Breakaway/Straight On To The Top

CD (Item 683880) Breakaway/BBE (UK), Late 70s — Condition: New Copy
Gatefold
$7.99 ...

CD

List Price: 14.99

A pair of completely rare albums from Breakaway – a St Louis combo from the late 70s – with a groove that's equal part jazzy club and blue-eyed soul! Breakaway is the group's debut – recorded in 1977 with a surprisingly tight sound – especially given that the group were essentially a local club act who got the chance to record a bit in a local studio! The feel is very much in the best LA mode of the time, but maybe a bit looser too – with emphasis on some funky riffing from the male members of the group, plus sweet lead vocals from singer Kathy Newbry-Taylor – an artist who might have been pop, had she worked on the coasts – but who stretches her style nicely here. The album's been made famous by both On Track and Americana comps on BBE – and titles include "There's A New Group In Town", "Who Was It This Time", "Love My Eyes", "Understudy DJ", "Everything's Been Said About You", and "My Symphony". Right On To The Top is the second set from Breakaway – and the album already shows a great deal of growth – especially in the territory of rhythm! Breakaway have definitely dug some of the best club modes from the New York scene – and work here in a jazzy disco style that's filled with sweet keyboard lines alongside the female lead vocals – all with a vibe that's nicely stripped-down, and still lives up to the indie spirit of the group. The set features some guest work on horns, which nicely expands the sound – and titles include "Straight On To The Top", "You Are Love", "Back & Forth", "There's A New Tree In The Forest", "Work With The Music", and "Breakaway".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


BBE (UK), Late 70s/1980s. New Copy 2CD
The legend of Teena Marie lives again, and in a really beautiful way – as John Morales serves up tunes that work together almost as a tribute to the memory of the lady – with these really fresh versions that seem to add a lot of majesty to the sound as well! These aren't easy remixes ... CD
BBE (UK), Late 70s. New Copy
It's like a dream come true – 13 previously unissued recordings by Roy Ayers, all from the height of his glory years on Polydor! Roy's work from this time is some of our favorite ever – a burning blend of jazz, soul, and funk – handled with impeccable charm, and a level of soul ... CD

Crystal Winds

First Flight
Cash Ear/BBE (UK), 1982. New Copy
CD...$8.99 14.99
A mellow soul classic from Chicago – and one of the last great records to come out of the city's hip 70s soul scene! We know very little about Crystal Winds – save for this excellent record, one of the few titles issued on the short-lived Cash Ear label, a south-side imprint in the ... CD
Nestor/BBE (UK), 1979. New Copy Gatefold
CD...$8.99 16.99
Rare funky soul from Ghanaian disco diva Nana Love – the rare, appropriately-titled Full Of Funk record from 1979 – with dynamite vocals by Nana and featuring Ghana legend Harry Mosco and other incredible players in the studio band! Nana's voice is uniquely amazing – with a sweet ... CD
Guinness/BBE (UK), 1977. New Copy
CD...$8.99 14.99
A wonderful package – a set that brings together two rare funk albums by Newban, an early version of Atlantic Starr – plus bonus tracks too! The first Newban record is one of the sweetest ensemble funk albums of the 70s – and a record that's gone on to become a classic, despite ... CD

Coke Escovedo

Comin' At Ya!
Mercury (Japan), 1976. New Copy
Pure brilliance from Coke Escovedo – an artist who really finds a way to make so many different things come together perfectly – with results that are even stronger than his previous work in Azteca and Santana! The set's got a warm blend of Latin roots, modern soul, and jazzy fusion ... CD

Eddy Senay

Hot Thang
Sussex/Modern Harmonic, 1972. New Copy
A heck of a great little guitar funk album – a rare early 70s session from the groovy Eddy Senay – an artist that we'd rank right up there with bigger names like Phil Upchurch, David T Walker, Dennis Coffey, or Eddie Fisher at the same time! Fisher's maybe the best comparison here ... CD

Asha Puthli

L'Indiana
Dash/Ultra Vybe (Japan), 1978. New Copy
The only album ever issued in the US by European soul singer Asha Puthli – an artist who was doing some great spacey funk in the mid 70s, then made a strong shift into tighter grooves in the disco years! This album's a great blend of Asha's earlier vocal style and some of the newer clubby ... CD
Prelude/Ultra Vybe (Japan), 1980. New Copy
The obscure second album from LAX – even better than the first Prelude set by this west coast disco project, and with a slightly different spin as well! There's no female vocals this time around – and the lyrics are sung by Geoff Leib, who's also the keyboardist – which makes for ... CD
Aware/Ultra Vybe (Japan), 1973. New Copy
If you only know Loleatta Holloway as a disco singer, you'll be really amazed at this debut album from 1973 – because Loleatta emerges first as deep soul singer with a strong southern vibe – very much in the mode the Atlanta scene did best, before picking up the pace a bit more as the ... CD
Aware/Ultra Vybe (Japan), 1973. New Copy
The first album by John Edwards – a richly talented vocalist who would go onto become the lead singer of the Spinners in later years, singing on some of their last big hits. This album's a very different effort – and features John singing in a deep Southern Soul style, mixed with the ... CD
Columbia/Vocalion (UK), Late 70s. New Copy
Two post-Motown albums from The Miracles – back to back on a single CD! On Love Crazy, The Miracles move to Columbia Records – and pick up a whole new groove in the process – a much richer sound than previous records on Motown, with a soaring style that really works great for the ... CD
 



⇑ Top