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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title track to Diana Ross' classic album with Ashford & Simpson – served up here in a special disco mix! The single's backed by a track produced by Hal Davis, lifted from the Thank God It's Friday soundtrack. 12-inch, Vinyl record
Three female singers/MC's with backing by the Sugarhill Gang Band – and rhymes that sound like they might have been written by the Sugarhill Gang. Maybe it's not up to the standards of other early female MC's like Sha Rock of the Funky 4 +1, but this is more like a 1979-era slow-tempo ... 12-inch, Vinyl record
A seminal bit of crossover from The Eurythmics – easily one of the biggest tracks of the early 80s British invasion, and a tune that almost makes us forgive all the later crimes of Annie Lennox! 12-inch, Vinyl record