This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An album that's as evocative as its title – one that features a young Barry Harris stepping out with the kind of sound that first got him noticed right away! There's a bit of a bop influence in the way he hits the keys on the set, but the overall approach is often more lyrically soulful ... CD
Early genius from Barry Harris – a live date recorded at San Francisco's Jazz Workshop, and one that has him gently grooving in a mix of sharp edges and lyricism! In a world where many up and comers were tempted by the fruits of the soul jazz sound, Harris remains nicely true to himself ... CD
A much-needed recording of the late 60s big band of pianist Duke Pearson – an amazing ensemble who only recorded just a bit for Blue Note – and who really shine here in this rare concert performance! The set was recorded as part of the legendary late 60s run of concerts for Baltimore's ... CD
Notable sidemen include James Moody tenor saxophone, Thelonious Monk on piano, Milt Jackson on vibraphone, Ray Brown on bass, and Kenny Clarke on drums. CD
Classic early John Coltrane for Prestige – less a bold statement as a leader than a strong batch of blowing session-styled tracks that show how well Coltrane could hold his own with more established players! The groups on the set vary from track to track – and feature players that ... CD
Brilliant live work from trumpeter Freddie Hubbard – a set of well-recorded, long and open tracks that really lets him stretch out on his solos – and direct a majestic group of musicians as a leader! We already love Freddie Hubbard in the studio, but on a live record like this he ... CD
Two slices of live work by Stan Getz – both pretty darn great! The first half of the album features Getz blowing with a relatively modern group – Steve Kuhn on piano, Scott LaFaro on bass, and Roy Haynes on drums – a really magical quartet that open up with a sense of flow that ... CD
Never-heard music from the great Horace Tapscott – rare material that was recorded for the Flying Dutchman label at the end of the 60s, but never issued at the time! The Tapscott here is at his soaring, spiritual best – filled with a new sense of energy and exploration, as he guides a ... CD
Takeshi Itoh on saxophone, Masahiro Andoh on guitar, Hirotaka Izumi on keyboards and synthesizer, Mitsuru Sutoh on bass, and Hiroyuki Noritake on drums. CD