This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Sweet Chicago work from Omar Coleman – a singer and harmonica player, and one who seems to work in that equal space between blues and soul that you might find on the late 60s Chess sides of Little Milton! The production is definitely blues, but Omar's overall performance opens up way past ... CD
A storming second album from Dave Weld – a contemporary figure on the Chicago blues scene, and one who's often joined on vocals by female singer Monica Myhre! The presence of Monica makes the record almost feel more like a collaborative ensemble outing – still blues, but with some old ... CD
One of the rootsiest albums ever cut by Delmark Records – a late 70s set from this obscure Chicago duo, partially recorded at a small club on the south side! John and Sylvia Embry are a great antidote to some of the tighter, slicker blues that was dominating the Windy City by the late 70s ... CD