This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD
A really unusual album for Dexter Gordon – one that has him working in a quintet with vibes by Bobby Hutcherson! Hutcherson's sound really transforms the session, giving it a shimmering middleground that disperses the dominance that Gordon's tenor usually has – and creating a warm, ... CD
Amazing sounds from Robert Glasper – easily one of our favorite fresh jazz talents of the past decade or so! There's really nobody like Glasper, and you'll hear that from the very first notes of this CD – a flurry of marvelously blocky chords – wrapped together in these waves of ... CD
Damn great work from pianist James Francies – a musician who's definitely in the best side of the new Blue Note generation – and who we hope has a legacy with the label to match Robert Glasper! Francies has this way of just grabbing notes out of the air – sometimes cascading ... CD
Insanely wonderful – and pretty darn rare! This album by John Patton was cut during the 60s, but never issued until the 80s – and even then, only briefly – yet it's easily one of our favorite records ever by this legendary Hammond player, thanks to lots of weird twists and turns! ... CD
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on ... CD
A massive little record, and a real turning point for alto genius Lou Donaldson – as he uses the set to move from the tight bop of earlier years into a whole new spectrum of funky grooves! Key to this project is drummer Idris Muhammad – who's on the kit, already kicking it up in the ... CD
A great collection of Monk's 10" recordings for Blue Note – seminal not only for the label's commitment to a modernist bop ideal, but also for Monk's integration in the growing collection of top-level jazz players on the New York scene. The work's notable also for the fact that Monk's ... CD
A variety of groups, some with Dex on tenor. Other players include Bobby Hutcherson on vibes, Freddie Hubbard on trumpet, Wayne Shorter on soprano sax, Cedar Walton and Herbie Hancock on piano, and Billy Higgins and Tony Williams on drums. Titles include "Berangere's Nightmare 2", " ... CD
Players include Branford on soprano and tenor, Kenny Kirkland on piano, Charnett Moffett on bass, and Jeff Tain Watts on drums – and titles include "Black Codes", "For Week Folks", "Chambers Of Tain", "Aural Oasis", and "Delfeayo's Dilemma". CD
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... CD